youmightfindyourself: On this date 23 years ago, two individuals entered the Gardner Museum in Boston, Massachusetts disguised as police officers. After tying up the museum’s real security guards, they spent 83 minutes raiding the facility and emerged with 13 pieces of art including original paintings by Rembrandt, Degas, and Vermeer. In all, the stolen goods were valued at $300 million by the FBI, though other experts say that figure should be closer to $500 million. The Gardner heist remains the single largest property crime in US history, and now more than ever the bureau and museum officials are eager for answers. Today the FBI renewed a campaign to find the missing art relics, offering a $5 million reward for information leading to a successful recovery. The criminals themselves are essentially cleared of wrongdoing at this point; the statute of limitations on the original theft has already lapsed. Rather than criminal prosecution, the goal now is returning the lifted pieces to the halls of Gardner Museum where they belong. To better the odds of that happening, the FBI wants your help. It’s uploaded high-resolution photos of every painting known to be missing in hopes someone on the internet will come to a stunning revelation. “If you didn’t see these paintings, you’d walk right by them and maybe not take note of them,” says agent Geoff Kelley. “But by trying to get the images out there of these paints and these pieces, hopefully this might resonate with someone.” Aside from the website launched today, federal officials will also appeal to the public via billboards in Connecticut and Philadelphia, two states it believes the pieces were trafficked through. (via)
Pop-upView Separately

youmightfindyourself:

On this date 23 years ago, two individuals entered the Gardner Museum in Boston, Massachusetts disguised as police officers. After tying up the museum’s real security guards, they spent 83 minutes raiding the facility and emerged with 13 pieces of art including original paintings by Rembrandt, Degas, and Vermeer. In all, the stolen goods were valued at $300 million by the FBI, though other experts say that figure should be closer to $500 million. The Gardner heist remains the single largest property crime in US history, and now more than ever the bureau and museum officials are eager for answers. Today the FBI renewed a campaign to find the missing art relics, offering a $5 million reward for information leading to a successful recovery.

The criminals themselves are essentially cleared of wrongdoing at this point; the statute of limitations on the original theft has already lapsed. Rather than criminal prosecution, the goal now is returning the lifted pieces to the halls of Gardner Museum where they belong. To better the odds of that happening, the FBI wants your help. It’s uploaded high-resolution photos of every painting known to be missing in hopes someone on the internet will come to a stunning revelation. “If you didn’t see these paintings, you’d walk right by them and maybe not take note of them,” says agent Geoff Kelley. “But by trying to get the images out there of these paints and these pieces, hopefully this might resonate with someone.” Aside from the website launched today, federal officials will also appeal to the public via billboards in Connecticut and Philadelphia, two states it believes the pieces were trafficked through. (via)

newyorker: Steve McCurry, “Geisha in subway” (2007), Kyoto, JapanThis picture reflects the juxtaposition of an ancient tradition in the modern world. The woman is the epitome of elegance in a utilitarian, stark, unromantic setting. It captures the paradox of the classic in a hurried world. Earlier this month, Photo Booth looked at the New York City subway over time. This week, they’ve curated a selection of contemporary images from subways around the world. Click-through for a slideshow: http://nyr.kr/10JfLhy 
Pop-upView Separately

newyorker:

Steve McCurry, “Geisha in subway” (2007), Kyoto, Japan
This picture reflects the juxtaposition of an ancient tradition in the modern world. The woman is the epitome of elegance in a utilitarian, stark, unromantic setting. It captures the paradox of the classic in a hurried world.


Earlier this month, Photo Booth looked at the New York City subway over time. This week, they’ve curated a selection of contemporary images from subways around the world. Click-through for a slideshow: http://nyr.kr/10JfLhy 

k-a-t-i-e-: “In 1981 I happened to see Joe Strummer – he was the singer for the punk rock band The Clash – on the tube. I saw him sitting on the other side of the seat, but I thought he was too private – he might get too angry – but I was trying to be brave, I went up to him and asked him ‘may I take a picture of you.’ he smiled and said ‘yes’, and I clicked several shots.  Just before he got off the train he said to me, ‘You should take photos of whatever you want. That’s punk.’ ”  Herbie Yamaguchi
View Separately

k-a-t-i-e-:

“In 1981 I happened to see Joe Strummer – he was the singer for the punk rock band The Clash – on the tube. I saw him sitting on the other side of the seat, but I thought he was too private – he might get too angry – but I was trying to be brave, I went up to him and asked him ‘may I take a picture of you.’ he smiled and said ‘yes’, and I clicked several shots. 

Just before he got off the train he said to me, ‘You should take photos of whatever you want. That’s punk.’ ”  Herbie Yamaguchi

(via nickelcobalt)

Source: k-a-t-i-e-

Top